The semiotics of colors, their role and impact on the narrative models (One Thousand and One Nights as an example)

This research dealt in its chapters with the semiotics of colors, their role, and their impact on narrative patterns. Knowing what colors are and the manifestations of their presence in the narrative models, and explaining the aesthetic aspects that occupy them in the stories. Then he dealt with how the color becomes brief in the expressive narrative image. One of the most important goals of the research was to know the ways in which the fictional art presents its ideas after mixing the color indicating a specific mood. public taste. The research sheds light on semiotics as a highly efficient strategy in the development of creativity and semantics, with its psychological and emotional effects that embody reality and have positive and negative effects, and the need to take into account honest emotional and sentimental factors. It also shed light on the correspondence between storytelling and semiotics through the method used by the narrator or novelist and the means used in the process of mixing them. The study concluded that there is no single correct interpretation of the text, as it is not monophonic. This is what the research clarified based on the origins of modern linguistics established by the Swiss “Ferdinin de Saussure”. And because it is a science whose roots go back to a group of cognitive sciences, it must be noted that there were semiotic ideas scattered in the Western and Arab heritages alike, and this was evident in the artistic structure of the tales of One Thousand and One Nights, so that the research proves in the end that the components of the story have a ramification and branching In subjects, which is a reference to the capacity of the mind and imagination, and then ultimately returns to the fundamental idea around which the events of “models” revolve, and the research has proven the great importance of narrative models and artistic images.