Decoding analysis of mystical symbolism in Feyz Kashani’s treatise and its application in typography (a case study of the selected works of the last ten periods of Asma al-Hassani exhibition)

Allameh Feiz Kashani, in a short treatise entitled Meshawq, while describing the common tangible symbols in mystic poetry that have become fixed principles, employs a method of unraveling mystical symbolism that can be reconstructed and redefined in the analysis of works. Applied visual arts. The system of mystical existence, full of Asma’u’llah and its relations, is explained and calligraphy as the most noble and sacred Islamic art with deep layers of judgment, one of the most important descendants of contemporary typography and, some say, the artistic determination of the spirit of mysticism. And mystics have opened up a method for artistic-interpretation interpretation with a esoteric and insightful look at the letters, words, forms, and form of their expression, so that the works of Asma’u’llah typography are qualified to be mystical and mystical interpretation. Grace in symbolization simultaneously utilizes the physical and physical features of the sensory symbol in adapting to the sensible. Principles and symbols of the visual arts, such as composition, rhythm and color, can be interpreted as esoteric, as are the mystical symbols of cleavage, lip, and lip. It can therefore be said that the plurality and repetition of the lines in one poster are reminiscent of the beautiful rhythm of the Sweetheart, and the point in the other work is that of the invisible hiding place where the multitudes are arranged. The entry of color into the work is the bloating of the soul and the impulse of existence that is known as the literary symbol of the work of the lips. The beloved’s eye is the place where his emotions arise. As light is the agent of emotion, of attraction and of the effect of seeing the work. The line on the beloved, which is the distance between the unseen and the testimony, is the most important element of the visual separation, and the facet, the location of the elements side by side, is in harmony with the function of composition in art. The work of wine is the creation of passion and the lack of rational rules, and this role is the dominant or contradictory factor in the visual work.