Investigating the status of imagination and art in explaining spiritual facts in the works of Henry Corbin

The Henry Corbin interpreting is the central thought in the theoretical mysticism of Ibn Arabic manifestation,and manifestation is a creative imagination:”God is with imagination that created the universe , which God has made this world of his own, from the power and abilities of its existence, which is among the world of pure soul and the tangible world, the world of tangible and the world that is the example of the world of the example.In this research, our goal is the manifestation of this meaning in the scope of Islamic art, art throughout the mystery that begins in its curtain, a narrative of another world and the world. The principle of manifestation in Islamic mysticism is visible to the view of the landscape of the mirror. In addition to the heart of mystic – in the discovery of its intuiton – in the form of Islamic art and architecture, it will form a way that is in the foundation of its world of fancy and demonstrations, so Islam is the manifestation of manifestation, as it is the manner of of his own, and the ink is a manifestation of the existence, especially if it is a great starred and stunning that is streaming in the history and spirit of the Muslim artist. Streaming tries to discover the ratio between this world and the other universe, a relation that only decodes the concept of imagination in Islamic mysticism and Islamic art. It seems that the intermediate intermediate between the world – that Islamic art is determined to be the implementation of the Gamal and the controversy of the right, with that absolute existence, the same asylist of the mirroris immediately or imaginary, and incidentally, Henry Corbin is also in fluenced by the ideas of “Roozbeh Hajja”. This manifestation is Known.”

In this research, by expressing the definition of the imagination, the decoding eighth and art of the study of the explanation of the spiritual facts in the works of Henry Corbin.