Lexical fields and semantics in the Diwan I do not want to whisper the question to Walid Hussein
- Author:
- Saad Turki Jaber
- Level:
- Master
- Field of study:
- Arabic Language and Literature
- Language:
- Arabic
- Faculty:
- Faculty of Nations Cultures and Languages
- Year:
- 2021
- Publisher:
- URD Press
- Supervisor(s):
- Abdel Sahib Tahmasby
This research also includes studies that help to construct evolutionary words in Arabic language and mark words and their development in the contemporary poet. The application of the theory of semantic fields in Walid Hussein’s divan is of similar importance and in line with this goal; Because it transforms the text of a poem into semantic groups of words that interact with each other and their relationship that gives them existence and value. These groups help to discover the conceptual structure of the text, so the text becomes groups of meanings and concepts. This has been done by implementing a descriptive-analytical method on Walid Hussein’s book (La Ashti Hams Al-Sawal). This research is important in classifying words, determining their meanings and defining the Arabic language in its semantic and evolutionary dimension.
This research deals with Walid Hussein’s divan in lexical and semantic fields and after classification, statistics and analysis, it was found that there are (147) words that (447) have been repeated. This research is divided into three chapters, each of which has sections dedicated to:
The first chapter of naturalism, which is divided into four parts, including: nature, which includes plants, water, sky, planets, and the earth, and some of which are related to humans, such as organs, and others to emotions, and Emotions are like sadness and joy. One of the most important results was that words are not equal in semantic domains, and with great care in their music, language has been used to the point of innovation. The words of human organs have been overcome due to their high repetition and semantic differences and the influence of the words of the Holy Quran on human words. Semantic aesthetics and its good use are revealed by the poet’s use of classical intertwined words that reinforce the text.