Semiotic aesthetics in the poetry of Abdul Azim Fengan (Al Mlaka Taod Ala Amal )

Literary language، whether it is poetry or prose، can be considered a suggestive language in which meanings are shed through literary industries and rhetorical improvements. The messages are also communicated through the aesthetics of the language، that the aesthetic elements in it increase its suggestive energy and give it beauty and splendor that leads to artistic and literary pleasure for the listeners. Poetry is the meaning of each meaning that opens the way to another meaning in light of semiotic connotations that are absent in the light of its symbolism and signs. The aim of this study is to focus on the role of semiotics in the interpretation of the different aesthetics in the poetry of Abdul Azim Finjan، and to reveal the linguistic phenomena that are absent in the text; It also focuses on the different aesthetics used by Abdul Azim Finjan to express what is in his chest and its role in semiotic analysis. The study included a theoretical and an applied aspect. This relied on the descriptive-analytical approach. The most important results we reached were the examination of the terminological semiotic situation in contemporary Arabic texts. Semiotics is also based on two main trends، namely، the European trend and the American trend، and the need to understand and represent the semiotic theory in its cultural and intellectual origins.