The Qur’anic intertextuality in the Diwan (The Rich Seas in Praise of the Immaculate Progeny) by Ali Al-Haidari

 In the eyes of scholars، ancient and modern، the Qur’anic text represents the highest eloquence and eloquence in texts، in terms of the method of arrangement، the paving method، the imaging mechanism، and the method of processing، not to mention the accuracy in the use of pronunciation and composition. On the level of image، pronunciation and composition، but without claiming that they organize a Qur’an. The Qur’anic invocation came to reflect، in one way or another، that effect on their poetic achievement. Al-Haydari is one of the poets who have been influenced by the Holy Qur’an، as it is an important source of poetic formation for him، and a major source of drawing his poetic image. First، Al-Haydari sensed the aesthetics of the Qur’anic text at the level of paving، building، casting and painting. The Qur’anic influence was evident in his poetry، and he used it in a special artistic and aesthetic way that reflected the extent of his great influence on that sacred text.The research aims to know the Qur’anic intertextuality in the poetry of the poet Ali Al-Haidari، the rich seas in praise of the pure progeny. I faced several difficulties، foremost of which is the lack of resources for the poet as he is one of the poets of the modern era and the scarcity of Iraqi libraries in general، and also the lack of previous studies for the poet himself. The poet and the meeting with his son and get those sources.