The stylistics of phonetic and structural displacement in the first part of Al-Yassin’s Diwan (Mohammed Hussein Al Yassin(

stylistic displacement

Contemporary poets make repeated and continuous artistic attempts in the fields of literature and language in order to achieve a sufficient amount of creativity for their literary texts، especially poetic ones.

They have indulged a lot in one of those literary implications، which is the stylistic deviation، and the meanings and connotations of these two terms – stylistics، deviation – are many.

From all this، the phenomenon of deviation is a breaking of the familiar writing system، and the increase in the number of possible connotations، and this phenomenon is considered one of the important phenomena in modern stylistic studies that study the poetic text as a style contrary to the familiar and different from the ordinary.

There are many stylistic terms، concepts and mechanisms of its operation، and displacement is one of the most famous of these concepts.

Moreover، the structures specific to the poet’s poetic texts call for a special method of displacement، which distinguishes it from others. The rhythmic shift، that is، the music of the text stemming from the harmony of letters، internal and external rhythm، and repetition، as well as the structural shift، including introduction، delay، and omission، is one of the most common shifts in texts.

It seems that the criterion for displacement in the text of these poetic texts is to serve the fine and precise meaning through the structural rhythm، as well as the severity of the impact on the recipient through the vocal rhythm.

The displacement in modern poetry in general tries to show the fluctuations of the text in different ways، hoping to highlight the beautiful artistic side in the text، which the poet may not have paid attention to and I say maybe، for this we find that displacement is a critical friend of the text. Accordingly، this thesis، which was entitled – The stylistics of phonetic and structural displacement in the first part of the Diwan of Al Yassin (Muhammad Hussein Al Yassin) – came to support this saying in that displacement is a critical friend.

The writing of the letter went through two important stages:

The first stage is a theoretical study of the concept of style، as this title carries meaning، definition، and connotation.

 The second stage is the study of displacement at its acoustic and structural levels، an applied study in the first part of the poetry of the poet Muhammad Hussein Al Yassin.

One of the most important results envisaged and reached by this study is the great compatibility that occurs between the concept of displacement and literary texts as if they were put to each other، for example، when the message studied the phonemic shift، it resorted to the music of the text and how it came – that is، the music – compatible with the implications of the phonemic shift.

Then، if the thesis turns to studying the structural level of presenting، delaying and omitting، we notice greatly that there is no room for beauty in the text without the displacement having a wide presence، for the text is not as it is intended for it to be until it finds someone who searches in its secrets for its secret that it hides among its folds. his verses.

It is never hidden that the literary and linguistic culture of the poet Muhammad Hussein Al Yassin has the greatest role in strengthening، supplementing and providing the stylistic side of the displacement in the texts with everything that would enrich the displacement with what it seeks to form together a poetic text from which flows music as well as other rhetorical connotations.

The style of displacement in the poetry of Muhammad Husayn Al Yassin is a special style that distinguishes this poet. There is certainly a relationship between the type of text and the displacements used in it. Each text is distinguished from other types of texts by stylistic characteristics، especially the shift، and that is the prominent role that displacement plays in creating the text and creativity in it.

The poet has a special way of using displacement on the phonetic level due to the musical phenomena in his poetry text such as rhyme and melody and others on the semantic level using moral improvements such as metaphor and metaphor and… and the structural level in deviating from the norm in the composition of phrases using introduction، delay، deletion، and others.