Reasons for smooth performance in the Qur’anic discourse (Prohibition and King) as a model
- Author:
- Baseme Muhammad Kazem Al Ismail
- Level:
- Master
- Field of study:
- Arabic Language and Literature
- Language:
- Arabic
- Faculty:
- Faculty of Nations Cultures and Languages
- Year:
- 2021
- Publisher:
- URD Press
- Supervisor(s):
- Abdel-Saheb Tahmasby
The Qur’anic discourse is distinguished from the rest of the texts by its verbal and semantic miracles, including its verbal and moral aesthetics to serve the smooth performance. Among the factors of smooth performance are the familiarity of the word and the sentence, the number of letters in the word, the lack of extreme spacing and convergence, and the elegant arrangement of the letters. Likewise, he is full of musical aesthetics, such as repetition, deletion, introduction, and delay of structural changes, such as mixing, reversing, revealing and concealing a lot.
The researcher relied on the descriptive analytical approach, starting from the theoretical framework of concepts and definitions and ending to the application stage and then the results.
Among the most important findings of the researcher:
The phonetic harmony was achieved in the Qur’anic pronunciation despite the extreme divergence and convergence in the letters’ exits, due to the arrangement in the vowels, consonants, movements and stills, and these techniques led to this wonderful phonetic harmony.
The Qur’anic discourse adds the letters of whisper and loudness, so if it addresses the pious and the righteous, we notice
Whispering voices In contrast to the threatening speech of the unbelievers, we find the loudness clearly visible. We note that the vocal rhythm once rises and once resonates to achieve a wonderful cosmic music that no human being can transcend, and among the opposing qualities are also the sounds of intensity, looseness and mediation, and all that according to what the situation requires. Musical and rhythmic balance, and all of that is in the final outcome for the sake of smooth performance in the Qur’anic discourse.
Structural changes such as merging, reversing, concealment and showing are among the accidental characteristics that alleviate the crisis of convergence of exits, so the discourse is directed to these wonderful structural changes.