The Phenomenon of Communication of the Senses by Saadi AlـShirazi and Bashar bin Burd

The communication of the senses is considered one of the important means of conveying the poetic content to the recipient, as it has ancient roots, and it was expressed in the past by the exchange of the senses, and some opinions of thinkers touched upon it, and its uses were varied among poets, and it was considered a form of rhetorical creativity in ancient and modern Arabic poetry, and it is used to attract The attention of the listener or reader to the poem, and the importance lies in that the exchange of poetic sense has strong and important suggestive connotations stemming from the poetic context, and perhaps the communication of the senses can be exploited to confirm the image and add something new to it in all areas in which the queen of his imagination flies, and thus affects the reader in the influence Deep, where the different senses mix together to form a distinctive poetic image that expresses the latent feelings of the poets and this we can distinguish between poets and their poetry in terms of rank, degree and quality. Contemporary literature, and how it appears as an artistic creation that the poet resorts to under the influence of the experience he is going through, as well as to stand on the aesthetics and motives of wit that characterize the correspondence image. The strangeness in it, the multiplicity of semantic levels and the depth of influence, and the disclosure of the manifestations of this phenomenon in the poems of the two poets in terms of the role and aesthetic function, the use of rhetorical images and the percentage of their use and how to integrate the five senses in their poems, and the problem lies in that organic growth within the poem can only occur with the interconnection of some senses Because its cohesion is generated from the relationships that the text requires from the senses, and there is no doubt that the artistic pleasure in the interconnection of the senses is the most beautiful thing in it, knowing that it has the greatest participation in our Arabic and Persian poetry, and the sense of beauty is not limited to sense only, but there are different senses that enable During which the feeling of the beauty of images, given the effect that these senses have on achieving the poet’s goal, the poets exchanged the data of the senses and mixed them to create a sensory feeling, emotion or poetic image that helps them convey the psychological impact of the recipients of their poetry, and our study relied on the comparative approach by addressing poems The two poets and the poetic features of each of them, then extracting the resources that correspond to the senses, and then comparing them by showing the points of agreement and disagreement, and the study concluded that the poets we study are from the two poets. They differed from poetry and literature in the Islamic world, as although the poetic environment of Bashar bin Bard, who is blind, differs from the poetic environment of Saadi alـShirazi, they possessed some common characteristics in presenting their poetry, including the similarity in mastering sensory description as well as sensory capacity in visual imagination, and they differed. In many matters, including the sensory correspondence between the Arabic and Persian character, and the sensory correspondence between the blind and the sighted.