The aesthetics of movement in Islamic ceramics in the Abbasid era

  Ceramic art is one of the arts that expresses skill, creativity and beauty. The philosophical origin of the concepts of beauty in Islamic civilization originates from the basic intellectual core of Islam and is determined through public thinking that organizes truth and search. For it, and the ways to achieve it, whether through science or through art.

  Movement is one of the important elements in the formation of plastic arts in general and ceramic art in particular, through which the Muslim artist was able to download figurative scenes performed on his ceramic surfaces with high expressive values. In addition to creating figurative scenes with various movements in terms of aesthetic ideas and content that lead to achieving visual tension for the recipient through various kinetic signs, scenes that characterize the Abbasid Islamic era and the importance of this issue. Aesthetic dimensions related to the element of motion.

  In this dissertation entitled (Aesthetics of movement in Islamic pottery in the Abbasid era) the researcher according to the four chapters that include the presentation of the research, this movement because it is a phenomenon in the art of Islamic pottery in Abbasi, is analyzed analytically Has set. An issue that was summed up in the possibility of answering how to show motion on Abbasi ceramic surfaces? What is the resulting aesthetic value?

  The concept of movement in philosophy and art and the manifestations of the movement in pottery and ceramics of ancient Iraqi civilizations and the study of the manifestations of the movement in Byzantine art and its impact on Abbasid art as well as the search for manifestations of movement in Umayyad Islamic art Relied on ten models.

They achieved the main results of the research and came to a conclusion with a number of useful recommendations and suggestions for researchers and scholars in this field.