The Study Of the Principles Of Color And Light In orocy Windows From The Perspective Of Shahabuddin Suhrawardi (Case Study Of Nasirol molk Mosque)

Color and light are two important elements in art, each of which has different characteristics and application in different positions. In this treatise, the usage of color and light is concentrated in the Orosi windows and this time with a mystical view, because with the studies in this field, it has become clear that so far the research on artifacts has been examined only from the perspective of architectural application and  It is not noted from the mysticism perspective, and in this treatise the study of color and light from the perspective of the wisdom has been mentioned in Nasir Al-Malek Mosque. Although the research is confronted with  limited resources and there is still no independent and serious work in this field,  but we tried to use from  view point of Hakim Suhrawardi whose school is focused on light. And the main question of this treatise is how light and color in the Orosi windows have a mystical aspect? Our basic question in this treatise Is this: How Can we explain the principles of light and color in the Nissir al-Mulk’s Orosi windows and How can we explain Orosi windows with principles of Sheikh Ishraq? The method of research in this thesis is a descriptive and analytical method and we have used from  library information. First, we have studied about color and light from the artistic, mystical and psychological aspects and later we have studied in detail and gathered information about the ideas of Sohrevardi, at the end, It has been attempted, by considering of mosque of Nasir al-Malik,  compare between Sheikh Ishraq, Ideas and artistic aspects of mosque.