Women in the contemporary Iraq hair (Bellad Al-hayadri model)
- Author:
- AL-mahayekhi Asia Badi Wada
- Level:
- Master
- Field of study:
- Arabic Language and Literature
- Language:
- Arabic
- Faculty:
- Faculty of Nations Cultures and Languages
- Year:
- 2021
- Publisher:
- URD Press
In ancient Arabic poetry, the woman was the master of the poem at its beginning, and the poet flirted with her, and the image of the tragedy was drawn in his poetry in its most accurate details. We have reached the era of the poet Baland al-Haydari, whose image has changed. It appears as a city or a revolution that inspires the people with their feelings, or that it is a time of loss. It has become a symbol behind which the righteous and the thoughts of the poet disappear.
She is no longer the lover who flirts with her beauty and grace… However, it may go back to the old poet’s view of addressing her with the beloved, the mother and the wife, and thus we see the change in the image of the woman in the poetry of Baland Al-Haydari, but most of it is like a symbolic idea of an idea or an image inspired by the poet from his cultural references that he acquired From the life of continuity and hesitation that he lived in Iraq and abroad, even that his poetry represented a revolution of renewal in the construction of the poem that made him one of the innovators in Arabic poetry and he has the lead with a group of poets Al-Sayyab, Nazik and Abdul Wahab Al-Bayati in writing free poetry free of the two-part system. Through the foregoing, we can ask the following question: What are the real and figurative connotations in the poetry of Baland Al-Haidari? In the research, we followed the analytical method by analyzing a summary of the poems of the poet Baland Al-Haidari, and we used the historical method in writing about the biography of the poet Baland Al-Haidari, whether in Iraq or abroad.
We reached a number of conclusions, including:
– The woman as a symbol for Buland Al-Haidari indicates cities such as Baghdad, Beirut, Sana’a and others when these cities share with women their beauty, fertility and growth, and his love for them
His poetry was not lyrical in the traditional or classical sense. Perhaps he is one of the pioneers in writing the complex poem, which transcends the emotional impulse or the direct emotional state to the human psychological dimension.