Stylistic phenomena in the poetry of Ahmed Fouad Negm Semantic language study “Focus on the complete poetic works”
- Author:
- Yaseen Hafedh Mhmood Mhmood
- Level:
- Master
- Field of study:
- Arabic Language and Literature
- Language:
- Arabic
- Faculty:
- Faculty of Nations Cultures and Languages
- Year:
- 2022
- Publisher:
- URD Press
- Supervisor(s):
- Maytham Imanian
Stylistics is a contemporary critical method that studies poetic and literary texts by focusing on linguistic and semantic features in a way that reflects the aesthetic features of the texts. The writers” methods varied and varied from one poet to another. They adopted various methods to express their thoughts and emotions, but they shared many phenomena or stylistic features in their different poetic tendencies. The poet Ahmed Fouad Negm represents a distinguished literary case in contemporary Arab poetry in Egypt in particular, and in the Arab world in general; Ahmed Fouad Negm was famous for his satirical language and his satirical poems, from which no one escaped. Among the most important stylistic features of his poems: his focus on the use of common words and structures and their reliance on vocabulary that touches the lived reality, and the reliance on repetition and contradiction to the richness of literary speech. Among the results obtained by the study: that most of the colors of refining in his poetry explode semantic and aesthetic energy, and this aesthetic comes from producing a pattern of awareness of the surrounding present, to occur the process of interaction between the creator and the listener; Likewise, the contrast in his poetry was not limited to patterns, but transcended them to symbols, and the symbols generated a series of revelations and movements. Likewise, the growth of opposites in his text led to the growth of a dialectical process between dualities, reflecting the relationship of man to the universe, negatively and positively. This research deals with the study of the entire poetic collection of this writer, in the light of the descriptive-analytical method, using stylistics in linguistics and semantics, while citing some of his poems.