The Grammatical Parts and Their Methodological Inductive in the Poems of Amjad Nasir (Focusing on Eulogizing a Coffee Shop)

he aim of the current research is to study the grammatical patterns and their stylistic connotations that abound in the poetry of Amjad Nasser Al-Urduni, and the extent of their agreement with the original Arabic linguistic system, by making use of the attempt to link contemporary linguistic thinking with the Arabic grammatical heritage. The study followed the descriptive and analytical approach. Through the descriptive approach, the poetic poems written by the Jordanian poet will be extrapolated, while the analytical method will be done through the analysis of the poetic poems and an explanation of the grammatical methods and their implications. In order to gather information related to the research, reference was made to the written sources and references, which include: printed books, magazines, periodicals, university research, and information published in respected scientific and literary sites on the Internet, and to benefit from the resources available on websites, letters and theses in university libraries and public libraries. The results of the research revealed that the poet Amjad Nasser was able with his writings to form a distinct literary style in his language, imagination and linguistic lexicon, to the extent that it is difficult for Arab writers these days to acquire such capabilities, and invest them in his works. Where Amjad Nasser’s topics varied with their content and style, her new proposals, and her innovative visions of the prose poem, she revived traditional topics, such as spinning, for example, as Amjad gave him diverse new visions, because Amjad was interested in developing his writing experience in the prose poem, to get her out of the women’s tradition, or To him, it did not exceed its status and significance that the ancients brought, as it is an entity of desires, attitudes and dreams, but Amjad’s spinning tended to create a woman with masculine characteristics in order to express political attitudes and social revolutions, where the poet leads a social revolution against the prevailing injustice in Jordanian villages and cities. He has disobedience against society, bearing human concerns and humanitarian issues on the one hand, about the freedom of the peasants, for example, and self-righteousness on the other hand, about his own freedom, in the world of restrictions and narrowness in his society. The current research also showed us the great ability of the poet to strike forcefully within the daily press writing, that ability that extends and penetrates the literary press, thus eroding the boundaries of Amjad Nasser between journalism and criticism. The results of the research also clarified the aesthetics of grammatical structure, the aesthetics of the style of the poet Amjad Nasser, and his good use of actual, nominal and literal grammatical structures, and clarified by the structural patterns of the sentence in poetry to show its functions and stylistic connotations that manifold situations and pluralities of speech.