The rhetoric deviation in Husseini poetry Diwan of “Mavara Al-eshgh” as a model

The research on defamiliarization has considered as an effective factor in criticism and analysis the literary contexts. defamiliarization means deviating from the initial apparent meaning and norm breaking from the ordinal language, thereby the new meaning is given to the words that actually they are not formed for them. In fact, defamiliarization includes new concepts that the poet considers it. In this research, the researcher analyzes the explanatory defamiliarization in Hosseini odes of Satar Alzahiri in “Mavara Aleshgh” (beyond love) literary work. This dissertation has been written based on descriptive-analytical way. It includes three seasons and one introduction. Each season addresses one of the aspects of the poet and defamiliarization that exists in odes. In the first season he addresses the poet’s biography and also the features and intentions of the poem. In the second season, the defamiliarization subject among philologists and linguists, the meaning of defamiliarization, its relation to explanatory styles including meyaphor, simile, imagery and irony are analyzed. The third season is the practical season for analyzing Satar Zahiri’s poems and it tries to show the most prominent metaphorical, similar and irony defamilization and artistic, philosophical and holy images that overcome Hosseni poems of Satar Zahiri. At the end of this research the researcher has achieved some of the results. The most important result is that defamiliarization is the vast part of Satar Zahiri’s poems. Because he was trying to compromise real and situational significations from the ordinal statements. By this mean, the poet makes the reader excited and removes the vapidity of reading the simple and monotonous statement and makes the literary context dynamic. It is worth mentioning that explanatory styles of the poem are based on the norm breaking feature which is the obvious feature of his poem. The poet has actualized it by mixing the physical and spiritual rational ideas and imperceptible things which is in most odes specially in Hosseini poems.