Rhythmic movement and internal music in (general punishment) an acoustic semantic study

The Qur’anic style is a refined style in terms of its form and content, so there is no way to compare it with human speech, whether poetry or prose, and beauty is manifested in the divine discourse in both form and content, and the Qur’anic rhythm in the form of verses and Surahs give beauty and pleasure in accordance with the divine miraculous meanings. It is the sound coordination that causes a rhythmic change, because the unique sounds create surprise and amazement. This study deals with the concept of displacement and rhythm, linguistically and idiomatically, and showed the most important terms that have a similar meaning to displacement, such as aggression and deviation, as well as knowledge of the seas and weights in the Qur’an. Texts, but they do not deviate from the direction of poetry. Semantic, rhythmic and compositional, as well as the study showed the rhythm of music by clarifying the relationship between rhythm and context in the Qur’anic text, so the topic of conversation was about creative progress, balance, repetition and parallel work. As for the rhythm of music, it is the strongest element of beauty in the Qur’anic discourse, and it performs a beautiful function with the other elements that make up the text, and helps to create an aesthetic distance that is sometimes determined quickly and at other times. . to the

This dissertation uses a descriptive analytical approach, so the researcher seeks to study the rhythmic change by analyzing some verses of the general part of the surah, as well as the music and aesthetic secrets in accordance with the miracle of the Qur’an. ‘an and its statement One of the most important results of this study is that the Qur’anic discourse is distinguished by a miraculous sound system, in which movements and stillness, duration and singing are consistent, with extraordinary consistency that makes the ears It attracts, tempts souls, and miraculously captures minds and emotions that transcend all spoken and organized speech, and this consistency plays the role of music and meaning at the same time. And that different forms of sound frequency play an important role in achieving the semantic and aesthetic effect, where the levels: phonetic, semantic and syntactic are highlighted simultaneously to reflect the aesthetic feeling in the Qur’anic discourse. This study was about the surahs of Mecca, where the surahs of Mecca are characterized by a fast rhythm compared to the rhythm of the surahs of Medina. In accordance with the nature of the Maki receiver.